At Blue Note Jazz Club – Shows at 8PM & 10:30PM (Doors at 6PM & 9:45PM)
Jazz pianist McCoy Tyner is widely considered one of the finest and most influential pianists in jazz history. His signature booming left-hand and fleeting right created a unique sound that can be heard on his recordings as a sideman with the John Coltrane Quartet in the 1960s and on his 80-plus albums as a leader. Tyner’s most recent project for McCoy Tyner Music/Half Note Records is his first solo effort in almost a decade titled Solo: Live From San Francisco. The release is the third for his label and features eleven solo vignettes recorded at the Herbst Theater in 2007.
Tyner’s blues based piano style, replete with sophisticated chords and an explosively percussive left hand has transcended conventional styles to become one of the most identifiable sounds in improvised music. His harmonic contributions and dramatic rhythmic devices form the vocabulary of a majority of jazz pianists.
Born in 1938 in Philadelphia, he became a part of the fertile jazz and R&B scene of the early ‘50s. His parents imbued him with a love for music from an early age. His mother encouraged him to explore his musical interests through formal training.
At 17 he began a career-changing relationship with Miles Davis’ sideman saxophonist John Coltrane. After Coltrane left Davis’ band, Tyner joined Coltrane for the classic album My Favorite Things (1960), and remained at the core of what became one of the most seminal groups in jazz history, The John Coltrane Quartet. The band, which also included drummer Elvin Jones and bassist Jimmy Garrison, had an extraordinary chemistry, fostered in part by Tyner’s almost familial relationship with Coltrane.
Tyner has always expanded his vision of the musical landscape and incorporated new elements, whether from distant continents or diverse musical influences. More recently he has arranged for big bands, employed string arrangements, and even reinterpreted popular music. Today, Tyner has released nearly 80 albums under his name, earned four Grammys and was awarded Jazz Master from the National Endowment for the Arts in 2002. He continues to leave his mark on generations of improvisers, and yet remains a disarmingly modest and spiritually directed man.