Hiromi: The Trio Project ft. Anthony Jackson & Simon Phillips
@ Blue Note Jazz Club – Shows @ 8PM & 10:30PM (Doors @ 6PM & 9:45PM)
“I don’t want to put a name on my music. Other people can put a name on what I do. It’s just the union of what I’ve been listening to and what I’ve been learning. It has some elements of classical music, it has some rock, it has some jazz, but I don’t want to give it a name.” – Hiromi
Japan has produced an impressive assemblage of jazz pianists, from Toshiko Akiyoshi and Makoto Ozone to Junko Onishi. And now, well into the change of the 21st century, the pianist/composer Hiromi Uehara is the latest in that line of amazing musicians. Ever since the 2003 release of her debut Telarc CD, Another Mind, Hiromi has electrified audiences and critics east and west, with a creative energy that encompasses and eclipses the boundaries of jazz, classical and pop parameters, taking improvisation and composition to new heights of complexity and sophistication. Her new CD, Alive, her ninth as a leader, features her critically-acclaimed Trio Project, consisting of contrabass guitarist Anthony Jackson (Steely Dan, Paul Simon, Michel Camilo, The O’Jays and Chick Corea) and drummer Simon Phillips (Toto, The Who, Judas Priest, David Gilmour, and Jack Bruce).
Born in Hamamatsu, Shizuoka, Japan on March 26, 1979, Hiromi’s piano lessons started when she was six, and she performed her first recital at that age. Her first teacher, Noriko Hikida, encouraged her to access both the intuitive and technical aspects of music. “Her energy was always so high, and she was so emotional,” Hiromi says of Hikida. “When she wanted me to play with a certain kind of dynamics, she wouldn’t say it with technical terms. If the piece was something passionate, she would say, ‘Play red.’ Or if it was something mellow, she would say, ‘Play blue.’ I could really play from my heart that way, and not just from my ears.”
Hikida also exposed Hiromi to jazz and introduced her to the great pianists Erroll Garner and Oscar Peterson. She enrolled in the Yamaha School of Music at age six and started to write music at that time.
Hiromi moved to the United States in 1999, and she matriculated at the Berklee College of Music in Boston, which extended her artistic sensibilities. “It expanded so much the way I see music,” she says. “Some people dig jazz, some people dig classical music, some people dig rock. Everyone is so concerned about who they like. They always say, ‘This guy is the best,’ ‘No, this guy is the best.’ But I think everyone is great. I really don’t have barriers to any type of music. I could listen to everything from metal to classical music to anything else.”
Hiromi achieved a number of milestones in 2009. She recorded with pianist Chick Corea – who she met in Japan when she was seventeen on Duet, a two-disc live recording of their transcendent, transgenerational and transcultural duo concert in Tokyo. She also appeared on bassist Stanley Clarke’s Heads Up International release, Jazz in the Garden, which also featured former Chick Corea bandmate, drummer Lenny White.
In June of that same year, Hiromi simultaneously released two concert DVDs, both recorded in Tokyo: Hiromi Live in Concert (recorded in December 2005) and Hiromi’s Sonicbloom Live in Concert (recorded in December 2007). The former features the rhythm section of Grey and Valihora, while the latter includes Fiuczynski’s incendiary fretwork.
In 2010, Hiromi released A Place to Be, an impressive and intimate solo piano CD; her evocative aural travelogue of the many places and spaces she visited around the world. “I wanted to record the sound of my twenties for archival purposes,” she says. “I felt like the people whom I met on the road during my twenties really helped me develop and mature as a musician and as a person. So in addition to making a record that represented all of these places that have inspired my music, I also wanted it to be a thank-you to those people.”
On her 2011 album, Voice, Hiromi’s goal was to capture people’s “inner voices” to create what she called a “three-dimensional sound.” On that album, she assembled a trio that included herself and two veteran players: contrabass guitarist Anthony Jackson and drummer Simon Phillips. While Hiromi had played with Jackson prior to recording Voice, she had never recorded an entire album with either him or Phillips, the latter who had been recommended to her by legendary bassist Stanley Clarke, a mutual acquaintance.
Also in 2011, The Stanley Clarke Band CD featuring Hiromi won the GRAMMY® Award for Best Contemporary Jazz Album.
While on the road, Hiromi started writing music for the follow-up CD, Move, released in 2013. “Because I had been playing with Anthony and Simon for quite a bit, I just started to understand their characteristics, and I could find a hidden gem in their playing,” she explains. “There’s so much more to their playing. As a composer, I really wanted to write the songs especially for them, and I wanted to extract the unique beauty of their playing.” Move, like Voice, had an overriding theme, which Hiromi describes as “time in one day.” “You wake up and go to work and then hang out,” she says. “The album is like a soundtrack for a day.” That same year, she had several impressive placements in DownBeat magazine’s 61st Annual International Critics Poll, in the Jazz Artist, Piano, Keyboard and Rising Star: Piano categories. Also, in 2013, she performed at George Wein’s Newport Jazz Festival and will perform there for the festival’s sixtieth anniversary in 2014.
Alive is the latest chapter in Hiromi’s ever-evolving musical life. “I’m hungry to learn,” she told DownBeat magazine, “so I’ll always keep my big ears open fully, ready to learn every single minute that I play.”« Back to Events